![]() |
Visit the Gearwire.com main site for video demos, interviews, NAMM and AES coverage, the Gearwire Crosstalk podcast, and much, much more. |
|
|||||||
| Bass guitars Instruments, amps, pickups, strings, effects, DI boxes and virtual amps, styles and techniques, fingers vs. picks, getting a sound. Get ready to rumble. |
![]() |
|
|
Thread Tools | Display Modes |
|
#11
|
|||
|
|||
|
Quote:
|
|
#12
|
|||
|
|||
|
Good point with the ribbon mic, I've been meaning to pick another one up. Here's one I've been looking at on ebay
![]() The proximity effect on a ribbon is huge and the rejection would be perfcet for what I'm doing. The RSM2 I have actually works real well but I've been using it elsewhere. I was also thinking of trying one of the low priced Aphex ribbons |
|
#13
|
|||
|
|||
|
I think the Aphexes sound really nice. Same machine as the Nady's but perhaps the construction is better.
|
|
#14
|
|||
|
|||
|
Quote:
When I've had trouble with bleed involving the all the amps in the room, it always is the bleed of the bass into the other mics. I've gotten great bass sounds with: AT4060 EV RE-11 Even cheap modded Oktava mk319 (all of them close miced on the top speaker) But it doesn't matter if bass-room-mud is getting into the other mics. I ususally us the ribbons for guitar cabs and OH's |
|
#15
|
|||
|
|||
|
Has anyone ever used a boundary mic on a bass cab? It may be an interesting experiment. They are some people's secret weapons on bass drums, why not try one out?
|
![]() |
| Thread Tools | |
| Display Modes | |
|
|