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| The oscillatorium Synthesizers, sound modules, controllers, synth workstations, soft synths, sequencing and MIDI, controllers and triggering devices, drum machines, samplers. The wave forms here. |
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#1
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recently I've been having trouble getting some of my multilayered samples and synth patches to gel into a single sound. i usually try to accomplish this just through levels first, and then by throwing some sort of processing on the sum of all the layers... like a distortion, compression, eq, or envelope... but all these techniques haven't been working recently. maybe my sound choice has been poor recently... i dunno, but recently the only way i've been able to get it so I don't perceive different streams of sound is when i fuck the sound up to the point where its too mushy. has anyone else run into this problem? any solutions?
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#2
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on the same note... have any of you listened to Gerard Grisey? he's a french spectralist composer. if not, check him out... he is amazing at blending acoustic isntruments in a way that they sound like one complex sound.
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#3
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One thing i want to try is scrambling up the adsr of four different sounds.
Like the attack from a metal trash can being hit with a dead squirrel, the decay from a plucked guitar string, the sustain of a 10' diameter gong, and the release from a operatic vocal recorded in reverberant concert hall. Or something. I bet with some clever cross-fades you could get weird evolving sounds from this kind of thing. It would be the audio equivalent of those kids books where you flip the pages to mix-n-match chins, mouths, noses and eyes from different faces. |
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#4
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Quote:
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#5
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Quote:
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#6
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ah, soundhack ruled
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