![]() |
Visit Gearwire.com for video demos, interviews, NAMM and AES coverage, the Gearwire Crosstalk podcast, and much, much more. |
|
|||||||
| Studio talkback Tracking, mixing, mastering, microphones, preamps, DAWs, converters, plug-ins, consoles/mixers, HD recorders, comps, 'verbs, FX, monitors, 'phones, power conditioners, wiring, patch bays, studio acoustics, studio vibe. |
![]() |
|
|
Thread Tools | Display Modes |
|
#11
|
|||
|
|||
|
Good stuff Dan. Is there then a general rule to this, like the mic with most PE is fig. 8 and then next would be super, then hyper, then cardioid and lastly omni with a PE of nothing?
|
|
#12
|
|||
|
|||
|
Yes. I'm not sure which one is more directional between hyper and super though.
|
|
#13
|
|||
|
|||
|
Quote:
|
|
#14
|
|||
|
|||
|
Quote:
Cardioid pattern: ![]() Hypercardioid pattern:
|
|
#15
|
|||
|
|||
|
Quote:
![]() Oh that is not hyper but it is cardiod |
|
#16
|
|||
|
|||
|
I didn't know that--that is news to me. I suppose in the typical handheld hypercardioid mic it is not particularly perceptible, since the actual body of the mic is in the way of that rear pickup zone.
|
![]() |
| Thread Tools | |
| Display Modes | |
|
|